There are invisible and miraculous channels that transfer, from the upper heavens to the lower earth, qualities and powers, benefits, positive or negative energy, depending on use and purpose. We are dazzled by both the Golden Sun and the Black Sun, the occult planet that is Saturn, that is lead, which neither light nor radiation can pass through

What one imagine and what one finds, which remains . . . At Hombroich everything becomes intentionality already upon the first encounter, like words still at their origin. . . . Hombroich, a European location in Europe: walking or stopping in places with no roof is truly different

BUILDING dedicates its inaugural exhibition (October 27, 2017 – January 27, 2018) to Remo Salvadori, a solo show that spans four of the building’s six floors, shaping for the first time the spaces of Via Monte di Pietà. The exhibition aims to create a symbiosis between the space and the works, a harmony between the viewer and the object.

MAXXI Arte introduces a new presentation of its collection that reflects on the relationship between space and object, a fundamental point of reference for contemporary artistic research. From Maurizio Mochetti to Juan Muñoz, from Remo Salvadori to Thomas Schütte and Franz West

Unfolding across the spaces of the two galleries—environments the artist approaches as sensitive and reactive containers—the intervention consists of complementary parts that run in parallel, enhancing one another. It comprises a series of works created through the cutting and folding of metals

The exhibition takes place on two floors of the historic Venetian palazzo: the Casa Museo Querini Stampalia and the Area Scarpa. The basic idea of the operation was that “the work to germinate in the space it was created for

Dalle Avanguardie storiche alla Neoavanguardia, dal Futurismo all'Arte Povera, dalla Metafisica alla Transavanguardia è possibile riscontrare una linea mediterranea e cosmopolita dell'arte italiana

Nella sede milanese della galleria di Salvatore Ala, l’11 febbraio 1982, apre una personale dell’artista. È qui esposta l’opera

11 febbraio 1982, costituita da due elementi: un cavalletto in ferro posto nello spazio e una tela circolare a parete.