Germoglio, 1996

wood, paper, watercolor
80 × 100 cm
A growing work
"To try to 'demonstrate' the concrete embodiment in Germoglio of the need to create a harmony that answers to a geometrical-musical order we could start out from the fact that it is a growing work, each step in its growth corresponding to an evolution in some way already 'included' in the preceding phase—or at any rate inherent in it. "
(Marco Biraghi, Sprout, in Remo Salvadori, catalogue of the exhibition in Milan, Palazzo Reale, Museo del Novecento, chiesa di San Gottardo in Corte, July 2 - September 14, 2025, curated by Elena Tettamanti and Antonella Soldaini [Cinisello Balsamo: Silvana Editoriale, 2025], 130)
"Remo Salvadori. Continuo infinito presente", Istituto Italiano di Cultura, Vienna, 1996
Photo © Attilio Maranzano

Germoglio, 1996

wood, paper, watercolor
80 × 100 cm
A growing work
"To try to 'demonstrate' the concrete embodiment in Germoglio of the need to create a harmony that answers to a geometrical-musical order we could start out from the fact that it is a growing work, each step in its growth corresponding to an evolution in some way already 'included' in the preceding phase—or at any rate inherent in it. "
(Marco Biraghi, Sprout, in Remo Salvadori, catalogue of the exhibition in Milan, Palazzo Reale, Museo del Novecento, chiesa di San Gottardo in Corte, July 2 - September 14, 2025, curated by Elena Tettamanti and Antonella Soldaini [Cinisello Balsamo: Silvana Editoriale, 2025], 130)

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