Agôgo, 1978 (2017)

copper, tin
500 x 180 cm
Between earth and sky
"Agôgo is a musical instrument of which one part rests and the other is raised, an allusion to the hermetic law of sympathy between microcosm and macrocosm, capable of triggering communication between the physical world and the spiritual world."
(Remo Salvadori in conversation with Antonella Soldaini, Milan, 2022-2024)
The work overlooks the landscape
"The two works overlooking the great landscape with the living signs of the historic city . . . offer themselves for an experience with mind, heart and limbs. The gaze is far from solitary, one intercepts relationships, proximities that make everything harmonious, a path . . . . The unforgotten twists were created in the years of my youth; they continue to pulse, uniting the geography and the history of a city that remains imperturbable, and that is reborn like a flower when spring comes."
(Remo Salvadori, In this there is no measuring time, in "Collection. The Lungarno Collection Magazine", no. 7, 2017-2018, 20)
Agôgo (here titled L'uomo che ode), in “Ytalia. Energia Pensiero Bellezza”, Forte di Belvedere, Florence, 2017
Photo © Agostino Osio

Agôgo, 1978 (2017)

copper, tin
500 x 180 cm
Between earth and sky
"Agôgo is a musical instrument of which one part rests and the other is raised, an allusion to the hermetic law of sympathy between microcosm and macrocosm, capable of triggering communication between the physical world and the spiritual world."
(Remo Salvadori in conversation with Antonella Soldaini, Milan, 2022-2024)
The work overlooks the landscape
"The two works overlooking the great landscape with the living signs of the historic city . . . offer themselves for an experience with mind, heart and limbs. The gaze is far from solitary, one intercepts relationships, proximities that make everything harmonious, a path . . . . The unforgotten twists were created in the years of my youth; they continue to pulse, uniting the geography and the history of a city that remains imperturbable, and that is reborn like a flower when spring comes."
(Remo Salvadori, In this there is no measuring time, in "Collection. The Lungarno Collection Magazine", no. 7, 2017-2018, 20)
Agôgo (here titled L'uomo che ode), in “Ytalia. Energia Pensiero Bellezza”, Forte di Belvedere, Florence, 2017