Alveare, 1996 (2018)

copper
275 x 1440 x 1 cm
Copper rods
"A project of light that dances on nonagenarian alignments of copper rods, the admirable cladding which lines the entire setting with alternating and consecutive rhythms . . . The segments of the copper rods rise along the walls, . . . placed by hand with care . . . with a lightening of the spirit as the aim. One can remain here at length, and time stands still."
(Bruno Corà, Formā Urbis, in XXIII Biennale Gubbio. Formā Urbis, catalogue of the exhibition in Gubbio, November 23, 1996 - April 12, 1997, with texts by Bruno Corà and Aldo Iori [Gubbio: Edizioni L’Arte Grafica, 1997], 21-22)
"Remo Salvadori. Continuo Infinito Presente / Sostare / Nel Momento", Stiftung Insel Hombroich, Neuss, 2018
Photo © Attilio Maranzano

Alveare, 1996 (2018)

copper
275 x 1440 x 1 cm
Copper rods
"A project of light that dances on nonagenarian alignments of copper rods, the admirable cladding which lines the entire setting with alternating and consecutive rhythms . . . The segments of the copper rods rise along the walls, . . . placed by hand with care . . . with a lightening of the spirit as the aim. One can remain here at length, and time stands still."
(Bruno Corà, Formā Urbis, in XXIII Biennale Gubbio. Formā Urbis, catalogue of the exhibition in Gubbio, November 23, 1996 - April 12, 1997, with texts by Bruno Corà and Aldo Iori [Gubbio: Edizioni L’Arte Grafica, 1997], 21-22)
"Remo Salvadori. Continuo Infinito Presente / Sostare / Nel Momento", Stiftung Insel Hombroich, Neuss, 2018
Photo © Attilio Maranzano