Continuo infinito presente, 1985

steel cables
∅ 22 cm
A large space with a narrow door
"For those who seek to have an experience of the self through the work, it is this that unites us to the ‘continuous infinite present,’ a large space with a narrow door."
(Remo Salvadori, untitled handwritten text, n.d.)
The making of an experience rather than the enunciation of a programme
"It is 1985, and I see a circle of this kind for the first time, of a much smaller diameter . . . . It is displayed high on the wall of an otherwise empty room in the Locus Solus gallery in Genoa . . . . It doesn’t yet have a title. From then on it often accompanies the artist in his movements, transported in a bag, until it eventually acquires its actual name, which therefore derives from experience than from being the initial enunciation of a programme."
(Pier Luigi Tazzi, Five Notes, in Remo Salvadori. Continuo Infinito Presente / Continuous Infinite Present. 21 maggio 2006 [Pontedera: Bandecchi & Vivaldi, 2007], 147) 
Photo © Jean-Pierre Maurer

Continuo infinito presente, 1985

steel cables
∅ 22 cm
A large space with a narrow door
"For those who seek to have an experience of the self through the work, it is this that unites us to the ‘continuous infinite present,’ a large space with a narrow door."
(Remo Salvadori, untitled handwritten text, n.d.)
The making of an experience rather than the enunciation of a programme
"It is 1985, and I see a circle of this kind for the first time, of a much smaller diameter . . . . It is displayed high on the wall of an otherwise empty room in the Locus Solus gallery in Genoa . . . . It doesn’t yet have a title. From then on it often accompanies the artist in his movements, transported in a bag, until it eventually acquires its actual name, which therefore derives from experience than from being the initial enunciation of a programme."
(Pier Luigi Tazzi, Five Notes, in Remo Salvadori. Continuo Infinito Presente / Continuous Infinite Present. 21 maggio 2006 [Pontedera: Bandecchi & Vivaldi, 2007], 147)